Shepard Fairey has spent over three decades reshaping the visual landscape with his politically charged and socially conscious art. From the underground rise of his ‘Andre the Giant Has a Posse’ sticker campaign, which has evolved into the globally recognized OBEY GIANT movement, to his Smashing Pumpkins and Led Zeppelin album artwork, and iconic ‘Hope’ Obama endorsement, Fairey’s work has continually challenged authority and sparked cultural dialogue. Born in Charleston, South Carolina, in 1970 and trained at the Rhode Island School of Design, he has exhibited at institutions such as MoMA, the Smithsonian, and the Victoria and Albert Museum. His work extends beyond the gallery, with over 50 large-scale murals worldwide, blending graphic precision with layers of street-inspired texture to address themes of power, propaganda, and resistance.
Now, Fairey brings his latest exhibition, Golden Compass, to Over the Influence gallery, Bangkok, offering a profound exploration of human resilience, balance, and self-discovery in turbulent times. The exhibition features original paintings, stencils, and screenprints on wood and metal, all set against intricately collaged backgrounds that reflect the layered complexities of contemporary society. Running until 27th April 2025, Golden Compass challenges audiences to find their own compass in a world of uncertainty, using art as a tool for reflection and action.
We had the privilege of Shepard Fairey walking us through the exhibition prior to the opening, discussing his first impressions of Bangkok, as well as the inspirations behind the Golden Compass exhibition, and the dialogue between street art and fine art.
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