Rap beefs have been a defining element of hip-hop culture since its inception, serving as both a platform for artistic competition and a reflection of deeper personal or industry conflicts. Rooted in the genre’s battle rap tradition, these lyrical feuds often begin with subtle disses in songs, social media posts, or interviews before escalating into full-blown diss tracks. While some rivalries remain lighthearted and competitive, others turn deeply personal, leading to longstanding grudges or even real-world violence. Whether fuelled by ego, competition, or business disputes, these rap feuds have shaped careers, divided fanbases, and, at times, changed the course of hip-hop history.
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At their core, these feuds are about dominance—who has the sharper pen, the stronger delivery, and the ability to outshine their opponent. these feuds have captivated audiences, producing some of the most iconic diss tracks ever recorded.
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The intensity of these rivalries often draws mainstream attention, pushing artists to bring their best work forward while also exposing their vulnerabilities. Whether driven by personal betrayal, regional conflicts, or simply a desire to claim the throne, rap beefs continue to be one of hip-hop’s most exciting moments in music when the time comes. With that being said, here are some feuds that were big in Hip-Hop both modern and old.
Nicki Minaj V.S. Cardi B
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Known as the “Queen of Rap”, Nicki Minaj is widely recognised as holding that title due to her longevity, influence, record-breaking achievements, and lyrical ability. She has undeniably dominated the rap scene for over a decade, delivering countless hits, shaping the culture, and inspiring a new generation of female rappers. Nicki Minaj undeniably solidified her status as one of the most influential female rappers of all time, breaking numerous records and setting new standards in hip-hop.
Nicki Minaj became the first female rapper to have over 100 entries on the Billboard Hot 100, a testament to her longevity and consistent chart success. Her debut album, ‘Pink Friday’ (2010), was a commercial triumph, earning her a No. 1 spot on the Billboard 200 and spawning hits like ‘Super Bass,’ which became a cultural phenomenon. With multiple platinum albums, Grammy nominations, and numerous BET Awards, Nicki has consistently pushed boundaries in a male-dominated genre. Her unique alter egos, bold lyricism, and signature flow have influenced a new generation of artists while keeping her at the forefront of the industry.
Nicki Minaj has been involved in numerous public feuds throughout her career, with some of the most notable being with Remy Ma, Lil Kim, Megan Thee Stallion, and Latto. These conflicts have sparked plenty of discussion, but it was her ongoing feud with Cardi B that truly captured the public’s attention and broke headlines.
Nicki Minaj and Cardi B is one of the most talked-about rivalries in modern hip-hop. It has been fuelled by industry competition, social media exchanges, and even a physical altercation. Their conflict stems from a mixture of personal tensions, fan wars, and professional competition in a male-dominated rap industry where comparisons between female artists are frequent.
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Cardi B’ is considered to be one of the most popular female rappers in the world, with her unique blend of raw authenticity, unapologetic personality, and distinctive style. She first gained widespread attention on social media with her bold and often humorous persona, which eventually led to her music career. Her breakout single, ‘Bodak Yellow’ (2017), was a massive hit, reaching number one on the Billboard Hot 100 and making her the first solo female rapper to achieve such a feat in nearly two decades. Her ability to blend catchy hooks, confident bars, and her distinct voice created an unmistakable presence in hip-hop, setting her apart from other artists.
Beyond her initial success, Cardi B’s appeal lies in her versatility and ability to connect with a wide range of listeners. Her music mixes elements of trap, Latin influences, and hip-hop, and Cardi consistently pushes boundaries with her fearless self-expression. Her authenticity and refusal to conform to industry expectations have made her a role model for many aspiring artists, especially women in the rap game. Cardi has cemented her place in the rap world with multiple chart-topping hits, Grammy awards, and a loyal fan base, making her one of the most influential voices in modern hip-hop.
Fans speculated that Nicki was not supportive of Cardi’s rise, while Nicki subtly addressed frustrations with being constantly compared to new female rappers.
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Their first collaboration, ‘MotorSport’ (2017) with Migos, became an early battleground for their feud. When the song was released, Cardi claimed that Nicki had altered her verse after hearing hers, while Nicki stated that Cardi was ungrateful and that her original verse had been changed by label executives. Interviews from both sides fuelled speculation that their working relationship was far from friendly.
Throughout 2018, tension between Nicki and Cardi intensified. They were often pitted against each other in media coverage, and both made indirect jabs in interviews and on social media. Nicki expressed frustration over what she perceived as a lack of respect for her contributions to female rap, while Cardi defended her position as a newcomer making her own way.
The situation exploded in September 2018 at a New York Fashion Week party, where Cardi B allegedly threw a shoe at Nicki Minaj and attempted to physically confront her. Cardi later claimed that Nicki had liked and supported social media comments that insulted her parenting skills, which led to her outburst. Nicki denied these claims on her Queen Radio show, calling the accusations false and criticising Cardi’s behaviour.
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Following their public fallout, Nicki and Cardi continued to take indirect shots at each other in songs, social media posts, and interviews. Nicki released songs like ‘Barbie Dreams’ (2018) and ‘Good Form’ (2018), which fans believed contained subliminal disses aimed at Cardi. Meanwhile, Cardi made remarks in interviews that were perceived as aimed at Nicki, although she often avoided naming her directly.
Their respective fan bases, the Barbz (Nicki’s fans) and the Bardi Gang (Cardi’s fans), played a significant role in escalating the feud online. Social media platforms, particularly Twitter and Instagram, became battlegrounds where fans would argue, leak alleged information, and spread narratives about one artist attempting to sabotage the other.
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By 2022, the tension seemed to die down, with both artists focusing on their careers and families. However, fans noticed that neither artist publicly acknowledged the other’s achievements, and occasional subtweets and shade still surfaced. In 2023, tensions reignited when Nicki Minaj and Cardi B were involved in online drama surrounding other female rappers, such as Megan Thee Stallion, Latto, and JT, which led to indirect shots and unfollowings.
Their feud remains one of hip-hop’s most talked-about conflicts, with both artists standing firm in their respective legacies. Whether they will ever reconcile or continue their cold war remains to be seen, but their influence on the genre is undeniable.
6ix9ine V.S. Trippie Redd
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The timeless tale of a friendship gone bad. Back in 2017, Trippie Redd and 6ix9ine were actually once good friends and even collaborated on the 2017 track ‘Poles1469’, which was a hit. However, things turned sour when Trippie publicly distanced himself from 6ix9ine after allegations surfaced that 6ix9ine had been involved in an inappropriate relationship with a minor. This case stemmed from a video recorded in 2014, when 6ix9ine was 18 years old, featuring a 13-year-old girl. Court documents stated that in the video, the girl engaged in sexually explicit acts while 6ix9ine and another adult male were present.
Trippie made it clear that he didn’t want to be associated with someone with such accusations, which marked the beginning of their feud.
And in November 2017, Trippie Redd was attacked at a hotel in New York, and he claimed that 6ix9ine and his affiliates were responsible for orchestrating the attack. 6ix9ine denied direct involvement but seemed to mock Trippie afterward, further intensifying the beef.
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Their feud played out heavily on social media, with both rappers exchanging insults on Instagram Live, Twitter, and in interviews. Trippie constantly called 6ix9ine a “pedophile” because of his criminal case, while 6ix9ine taunted Trippie for allegedly getting jumped and portrayed him as weak.
Both rappers would eventually start sneak dissing each other in their music videos and their hit songs. Trippie Redd dropped subtle shots at 6ix9ine in songs like ‘I Kill People’ with Tadoe and Chief Keef, while 6ix9ine fired back in various Instagram rants and aggressive tracks that embodied his loud, trolling persona.
And in early 2018, tensions escalated even further between the two when 6ix9ine in a Instagram Live, accused Trippie Redd of abandoning his friendship with XXXTENTACION to seek collaboration with Drake. 6ix9ine alleged that Trippie distanced himself from XXXTENTACION in an attempt to gain favour with Drake, who ultimately did not feature Trippie on his hit track ‘God’s Plan.’
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6ix9ine also went after Trippie Redd’s career in the same Instagram Live, claiming that Trippie’s career was only thriving because he had big-name features. 6ix9ine specifically mentioned that Trippie didn’t have any hits of his own, implying that the rapper’s success was mostly built on collaborations with more prominent artists.
In late 2018, 6ix9ine was arrested on federal racketeering and firearms charges, facing life in prison. However, he took a plea deal and cooperated with authorities, leading to his infamous reputation as a “snitch” in the rap world. During the trial, he testified against members of the Nine Trey Gangsta Bloods, which he had previously been affiliated with.
Trippie Redd, who had always mocked 6ix9ine for his gang ties, took this opportunity to clown him even more. He called him a “rat” multiple times and celebrated when 6ix9ine’s street credibility was destroyed. Other rappers, including Meek Mill and Snoop Dogg, also joined in, making 6ix9ine who was the most popular rapper in the rap game at one point to one of the most ridiculed figures in hip-hop.
After 6ix9ine was released in 2020, he immediately returned to trolling and attempted to revive his rap career. He continued to mock Trippie Redd, calling him a “flop” whenever Trippie’s album sales didn’t meet expectations. Trippie responded with sarcasm, but by this point, their beef had lost some of its intensity, as the industry had largely blackballed 6ix9ine.
N.W.A
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One of the most important feuds in hip-hop history, this rap-defining beef stemmed from disputes over money & contracts.
N.W.A formed in the late 1980s in Compton, California, would later become one of the most influential rap groups ever. The group involving legendary icons in Hip-Hop such as Eazy-E, Dr. Dre, Ice Cube, MC Ren, and DJ Yella, with Arabian Prince involved in the early days. Their breakthrough album, ‘Straight Outta Compton’ (1988), was a game-changer, bringing gangsta rap to the mainstream and putting West Coast hip-hop on the map.
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However, behind the scenes, tensions were already brewing within the group as Ice Cube was the first to leave the group in 1989, citing financial disagreements. He felt that Jerry Heller, the group’s manager, and Eazy-E, the group’s de facto leader, were taking an unfair share of the money while the rest of the group was underpaid. Cube was particularly vocal about how little he was making despite writing most of the lyrics for ‘Straight Outta Compton’ (1988).
After failed negotiations, Cube left and launched his solo career. In 1991, he released ‘No Vaseline’, a scathing diss track aimed at N.W.A, Eazy-E, and Jerry Heller. He accused them of being exploited by Heller and called out their loyalty to a corrupt system. The track was widely regarded as one of the most brutal diss songs in hip-hop history and a series of diss tracks and sneak disses would make the rounds between Ice Cube & N.W.A
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While N.W.A continued without Ice Cube, internal issues persisted. Dr. Dre, the group’s primary producer, became increasingly frustrated with the management, particularly Jerry Heller’s control over ‘Ruthless Records’ (which Eazy-E co-owned). Dre felt he wasn’t being properly compensated for his contributions and wanted to leave the label. However, Eazy-E refused to release him from his contract.
With the help of Suge Knight, Dr. Dre was able to force his way out of Ruthless Records and co-found Death Row Records with Suge. The situation got ugly, as Knight allegedly used intimidation tactics (including threats of violence) to pressure Eazy-E into letting Dre go. This led to a heated feud between Dre and Eazy.
Dr. Dre’s debut album, ‘The Chronic’ (1992), featured ‘Fuck Wit Dre Day’, a diss track aimed at Eazy-E, in which Dre and Snoop Dogg mocked him, referring to him as “Sleazy-E”. Eazy responded with ‘Real Muthaphuckkin G’s’ (1993), in which he called out Dr. Dre for switching his style and portrayed him as a fraud. The back-and-forth solidified the rift between the former friends.
Despite the harsh words exchanged, the beef never escalated into real street violence. By the mid-’90s, N.W.A was fully dissolved, and Dr. Dre had moved on to build his empire at ‘Death Row’ and later leaving ‘Death Row Records’ to create his own iconic record label, ‘Aftermath’.
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Tragically, in 1995, Eazy-E was diagnosed with AIDS and passed away within weeks of his diagnosis which left Hip-Hop fans in shock and mourning. In his final days, he reconciled with Dr. Dre and reportedly had a conversation with Ice Cube, though they didn’t fully mend their friendship at the time and Eazy-E’s death marked the end of the N.W.A era.
It’s even more heartbreaking to realise that in his final days, Eazy-E was desperately trying to bring N.W.A back together. He knew the weight of how money and fame had slowly torn the group apart, and it haunted him. In the midst of his battle with illness, he reached out to Dr. Dre, Ice Cube, and the others, hoping for reconciliation, hoping to revive something that once meant so much to him. He was ready to bury the past, to heal old wounds, and rebuild the legacy of the group. But tragically, it was too late.
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In the years following Eazy-E’s passing, Dr. Dre and Ice Cube both publicly expressed regret over the unresolved issues that had built up in the group. They eventually reconnected in the early 2000s, especially after Ice Cube joined Dr. Dre at concerts and interviews. The relationship became more amicable in the years that followed.
One key moment of reconciliation came in 2015, when Dr. Dre and Ice Cube came together to honor Eazy-E’s legacy in the film ‘Straight Outta Compton’ (2015). The film was a biographical portrayal of N.W.A, and while it didn’t delve deeply into the later issues the group faced, it allowed the all the members of N.W.A to reflect on their time together and remember Eazy-E’s impact.
Jay-Z V.S. Nas
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This feud is another important feud in the history of hip hop as it was a battle of two of the most influential and skilled MCs of all time, each with a distinct approach to their craft and their influence on the rap game.
Before things turned bitter, there was mutual respect between Jay-Z and Nas. Both hailed from New York, with Jay-Z coming from Brooklyn and Nas representing Queens. They were part of a generation of MCs that helped define the golden era of hip hop. Nas had already cemented his place as a rap legend with his groundbreaking debut album ‘Illmatic’ (1994), which many consider one of the greatest hip hop albums of all time.
Jay-Z, on the other hand, was beginning to make waves in the late ’90s with his ‘Reasonable Doubt’ (1996) album, showcasing his lyrical ability and business acumen. Although they weren’t necessarily close, there was a period where they were seen as peers, and Jay-Z admired Nas’ artistry.
However, things started to sour when Jay-Z made a comment in a song, ‘The City is Mine’ (1997), in which he referred to Nas’ former crew, the Bravehearts, implying that Nas was not as dominant in the streets. Nas took offence to this, but at first, it was just a subtle hint of tension.
The feud exploded in public with two iconic diss tracks: Jay-Z’s ‘Takeover’ and Nas’ ‘Ether’. These songs are considered some of the most powerful diss tracks in hip hop history and played a major role in escalating the tension.
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With Jay-Z’s ‘Takeover’ (2001), Jay-Z released ‘The Blueprint’ in 2001, and one of the standout tracks was ‘Takeover.’ In this song, Jay-Z took direct aim at Nas, criticising his career, his flaws as a rapper, and his failure to live up to expectations after Illmatic. Jay-Z even made a reference to Nas’ failed attempt at creating a successful follow-up to Illmatic, saying, “Ask Nas, he don’t want it with Hov.” This track was a sharp attack on Nas’ credibility, and Jay-Z seemed to be positioning himself as the king of New York.
And with Nas’ ‘Ether’ (2001), he responded with ‘Ether’ from his album ‘Stillmatic’ (2001). The song was a scathing rebuttal to Jay-Z’s ‘Takeover’, and Nas came out swinging with brutal lyrics that tore into Jay-Z’s persona, his authenticity, and his business moves. Nas accused Jay-Z of being a corporate sellout and a fraud. He famously said:“I’m the king of New York, I’m the real King of New York.” and his punchlines about Jay-Z’s personal life, business practices, and music were harsh. The impact of ‘Ether’ was enormous—Nas had fired back with a vengeance, and the track quickly became iconic.
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After ‘Ether,’ the hip hop world was divided. Many saw Nas as the victor of the feud because of the raw emotion and venom in his response. However, Jay-Z, being the savvy businessman he is, was quick to turn the narrative in his favour. He started to downplay the feud in interviews, saying that he wasn’t going to engage with Nas further and that he had bigger things to focus on. Despite this, Jay-Z was still very much involved in the rivalry, and the media continued to hype it up.
This battle became more than just a war of words between two artists; it was a reflection of the generational and cultural divide in hip hop. Jay-Z, with his business empire and mainstream success, represented the new wave of hip hop, while Nas, with his conscious and street-oriented approach, represented the old guard. Fans and the media started to debate who had the real crown of New York and, by extension, the crown of hip hop itself.
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Despite the intensity of the rivalry, the two rappers eventually reconciled. In 2005, at the ‘Roc the Mic’ tour, Jay-Z and Nas publicly squashed their beef during a concert. This was a pivotal moment for hip hop, as it symbolised the end of a bitter feud between two of the genre’s greatest artists. They performed together on stage, and it seemed like they were putting the past behind them.
The reconciliation wasn’t just a public relations move; it represented growth and maturity in both artists. Jay-Z and Nas had both reached new heights in their careers and were beginning to realise that their rivalry had been fuelled by ego and miscommunication. They had come to understand that, despite their differences, they both had a profound impact on hip hop and shared a mutual respect for each other’s artistry.
2Pac (Tupac Shakur) V.S. The Notorious B.I.G. (Biggie Smalls)
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A feud which is the face of Hip-Hop, here’s a iconic feud of a legendary duo that were once really good friends but ended their lives as enemies.
Tupac Shakur and Biggie Smalls came from very different backgrounds but were both born in New York City—Tupac in East Harlem in 1971, and Biggie in Brooklyn in 1972. Tupac’s early life was marked by instability, including being raised by his mother, Afeni Shakur, who was deeply involved in the Black Panther Party, and experiencing poverty and hardship.
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Biggie, on the other hand, had a rough upbringing in Brooklyn, but he grew up surrounded by a strong family structure, though he was involved in drug dealing at a young age. Their paths to fame diverged after they left New York, with Tupac moving to Baltimore and later to California, while Biggie stayed in New York.
Tupac first gained widespread attention in the early ’90s after his appearance on Digital Underground’s ‘Same Song’ in 1991, eventually releasing his solo debut ‘2Pacalypse Now’ in 1991. The album dealt with social issues, including police brutality and racism, making Tupac one of the most outspoken rappers in the genre. Biggie’s debut album, ‘Ready to Die’ (1994), on the other hand, was a reflection of his life in Brooklyn, where he rapped about his experiences in the streets and the struggle of growing up in an environment shaped by crime and violence. Biggie’s smooth flow, charismatic delivery, and storytelling made him a standout on the East Coast scene.
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In the early 1990s, tensions between East Coast and West Coast rap artists were becoming more pronounced, largely fuelled by differing styles and regional pride. On the West Coast, Tupac was becoming a dominant figure, aligning himself with Dr. Dre’s ‘Death Row Records’ and with Suge Knight, the label’s controversial and powerful CEO. Meanwhile, Biggie and his label, ‘Bad Boy Records’, were central to the East Coast scene, with Sean “Puffy” Combs (now Diddy) serving as a key figure in the production and promotion of Biggie’s music.
The rivalry between the two coasts intensified, especially when Tupac’s feud with Death Row Records’ arch-rival, ‘Bad Boy’, began to take shape. Tupac and Biggie, though initially friendly, soon found themselves on opposite sides of the conflict.
The major turning point in the feud came in November 1994 when Tupac was shot multiple times during a robbery at Quad Recording Studios in New York City. Tupac was severely wounded but survived the attack. He believed that members of the East Coast rap community, particularly those associated with Bad Boy, were involved in the shooting, and this event fueled his anger and distrust toward Biggie and Puffy. Tupac later went public with his accusations, claiming that Biggie, who had been in the studio that night, had prior knowledge of the attack, even though Biggie himself denied any involvement.
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Tupac’s shooting became the catalyst for a bitter and hostile relationship with Biggie as Tupac famously released a diss track, ‘Hit ‘Em Up’, in 1996, which aimed a direct attack at Biggie, claiming to have slept with Biggie’s wife, Faith Evans, and accusing him of copying his style. Tupac’s animosity was clear, and his lyrics were raw, leaving no room for reconciliation.
While Tupac’s hostility toward Biggie grew more intense, the East Coast-West Coast rivalry continued to fuel the tensions. Media outlets sensationalised the feud, often portraying the two rappers as symbols of their respective coasts. The rivalry was stoked by diss tracks from both sides—Biggie’s ‘Who Shot Ya?’ was interpreted as a response to Tupac’s shooting, though Biggie claimed it was recorded before the incident.
The media, which was complicit in amplifying the feud, often focused on the drama and spectacle surrounding the two artists, which led to an even more divided hip-hop community. Biggie, for his part, expressed regret over the hostility between them and publicly tried to cool the situation, but Tupac’s aggression only escalated. The feud wasn’t just about music; it became personal, with both men taking jabs at each other’s character and status in the industry.
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Shockingly, Tupac Shakur’s life was cut short when he was shot on September 13, 1996, in a drive-by shooting in Las Vegas and he sadly died six days later. Even more heartbreaking and eerie, Biggie Smalls was killed in a similar manner a year after on March 9, 1997, when he was shot in a drive-by shooting in Los Angeles.
The deaths of both Tupac and Biggie shocked the hip-hop world and left an indelible mark on the genre. The East Coast-West Coast rivalry, which had reached its peak with the deaths of the two icons, dissipated after their passing, though it left a deep scar on hip-hop culture. Fans and artists alike mourned the loss of two of the most talented and influential figures in rap history.
In the years following their deaths, the impact of their music continued to resonate. Tupac’s albums, such as ‘All Eyez on Me’ and ‘Me Against the World’, remain seminal in the hip-hop canon, exploring themes of resistance, inner turmoil, and defiance. Biggie’s ‘Life After Death’ is often hailed as one of the greatest rap albums of all time, showcasing his exceptional lyricism and storytelling ability. Their rivalry, though tragic, has been immortalised in documentaries, books, and films, and it continues to be a topic of fascination for fans.
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Both of their deaths remains unsolved, and conspiracy theories about the involvement of various parties, including the East Coast camp, have circulated ever since despite numerous investigations and theories, there has never been concrete evidence pointing to a definitive suspect.
Drake V.S. XXXTENTACION
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Drake is one of the most successful and influential artists of our generation, blending hip-hop, R&B, and pop to create a versatile sound that appeals to a massive audience. Since his debut in the late 2000’s, ‘Thank Me Later’ (2010) which is stated by fans and critics as one of the best debut albums of all time. Drake is unquestionably one of the best artists of the 2010’s and of all time, whether you like him or not.
Drake, often hailed as the GOAT (Greatest of All Time) in the rap game, has been no stranger to feuds throughout his career. From lyrical battles with industry heavyweights to ongoing tensions with emerging artists, his list of rivalries spans both the past and present. However, among all his conflicts, none has been as controversial or as widely speculated upon as his beef with XXXTENTACION.
Jahseh Dwayne Ricardo Onfroy, known professionally as XXXTENTACION, was a rapper, singer, and songwriter who became one of the most popular, influential and talented artists of the late 2010s. Rising from the underground SoundCloud rap scene, he gained a massive following through his emotionally raw music, blending elements of rap, punk, R&B, and alternative rock. Although being controversial, his short-lived successful career left an undeniable mark on hip-hop, particularly with his introspective lyrics, genre-defying sound, and deep connection with his loyal fanbase.
XXXTENTACION was often hailed as the future of hip-hop, emerging from the SoundCloud rap scene as X gained fame with his breakout hit ‘Look at Me!’ in 2017, which showcased his aggressive and distorted sound.
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His music often explored themes of depression, mental health, and personal struggles, resonating deeply with fans. His debut album, ’17’ (2017), and follow-up ‘?’ (2018) were both commercially successful, with the latter featuring the hit single ‘SAD!’, which became a chart-topping anthem. With other notable hits like ‘Moonlight’, ‘Changes’, ‘Hope’, ‘Jocelyn Flores’, ‘Revenge’ & ‘Fuck Love’, his raw emotional delivery, genre-blending sound, and deeply personal lyrics resonated with a generation of fans who connected with his music on a profound level.
The popular feud between XXXTENTACION and Drake started in early 2017 when XXXTENTACION was still an underground artist gaining traction with his breakout single, ‘Look At Me!’. The song, known for its distorted production and aggressive delivery, was gaining popularity while XXXTENTACION was incarcerated on legal charges. Around the same time, Drake released ‘KMT’ (featuring Giggs) from his 2017 hit album ‘More Life’, which had a similar cadence and flow to ‘Look At Me!’.
Many fans and artists quickly pointed out the similarities between Drake’s delivery and X’s distinct style, leading to speculation that Drake had copied the up-and-coming rapper’s flow. XXXTENTACION, upon his release from jail in March 2017, wasted no time calling out Drake publicly. In an interview with Miami’s 103.5 The Beat, XXXTENTACION outright accused Drake of biting his style, while even going as far to label Drake as a “Culture Vulture.”
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X frequently took to social media to criticise Drake, calling him fake and mocking him in multiple Instagram Live sessions. At one point, X even made personal jabs at Drake’s mother.
On the other hand, Drake never directly engaged with X in the same way as Drake only did an interview with DJ Semtex, Drake denied stealing XXXTENTACION’s flow.
Over time, XXXTENTACION continued to taunt Drake on social media as X even implied that Drake’s career was built on ghostwriters and industry support rather than originality.
Despite the back-and-forth, Drake never responded to X directly with diss tracks or public statements, preferring to let the situation die down. However, there was continued speculation that behind the scenes, the beef was being taken more seriously than it appeared.
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And on June 18, 2018, their conflict never saw resolution as XXXTENTACION was tragically shot and killed in Deerfield Beach, Florida, in an apparent robbery. After his death, big conspiracy theories began to spread, with some of X’s fans believing that Drake allegedly had something to do with it. These theories were based on cryptic lyrics from Drake’s songs, including one from his track ‘I’m Upset’, where he rapped:
“SMS, triple X / That’s the only time I ever shoot below the neck.”
Drake
Some fans believe this line alludes to XXXTENTACION (whose name includes “XXX”), especially considering he was fatally shot in the neck.
Also, Drake has long been rumoured to have sneak-dissed XXXTENTACION in his lyrics, over the years after his death which fuelled the fire. One of the most widely discussed examples is found in Drake’s 2023 song ‘On BS‘, where Drake raps:
“Damn, maybe I should do a twenty / Maybe I should break that twenty, do a ten / Maybe I should break that ten, do a five / Then if it gets live, do a five again / If he held his tongue on that live, he’d be alive again.“
Drake
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Another example follows a major controversy surrounding the ‘SICKO MODE’ music video (by Travis Scott featuring Drake) which stemmed from a brief scene that some fans believed resembled the late rapper XXXTENTACION being crushed by a rock. In the video, there’s a moment where a character—who some thought bore a resemblance to XXXTENTACION—appears to be hit by a massive rock, leading to speculation that it was a reference to the late rapper. This sparked widespread backlash as many fans saw the scene as disrespectful and intentional.
Despite the backlash, Drake has largely avoided directly addressing the controversy, choosing instead to let his music and public appearances speak for themselves. However, the continued speculation and accusations from certain segments of the hip-hop community have contributed to a lingering stain on his reputation. While some believe Drake was unfairly targeted by conspiracy theories, others remain skeptical and continue to scrutinize his words and actions.
Chris Brown V.S. Quavo
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Chris Brown is often regarded as one of the greatest of all time (GOAT) in the world of contemporary R&B and pop music. His versatility as an artist is undeniable; he’s known for blending elements of R&B, pop, hip-hop, and dance music. His talent goes beyond just singing and songwriting—his dancing skills are iconic, and his performances are often a highlight of his shows. One of the key factors that put him in the GOAT conversation is his longevity.
Chris Brown remained relevant in the ever-changing music landscape for over a decade, continually producing hits and collaborating with major artists. His influence is seen in the careers of many younger artists, particularly when it comes to dance, style, and the fusion of different genres.
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And then we have one of the popular rappers in modern Hip-Hop, Quavo who is best known as a member of the hip hop trio Migos. They rose to fame in the early 2010’s, the group initially gained attention for their unique style, characterised by catchy hooks, triplet flows, and energetic beats. Their 2013 breakout single, ‘Versace,’ helped solidify their place in the mainstream, but it was their 2017 hit ‘Bad and Boujee’ that propelled them to global stardom, topping the Billboard Hot 100 and becoming a cultural phenomenon. His distinctive voice, often marked by a melodic delivery, has made him a standout figure in the group.
Beyond Migos, Quavo has also found success as a solo artist and through various collaborations with other artists. His solo projects, including the album ‘Quavo Huncho’ (2018), have shown his versatility and ability to create hits outside of the group’s dynamic. As a solo artist and collaborator, Quavo has worked with a range of artists from different genres, including Travis Scott, Cardi B, and Drake, further cementing his reputation in the music industry.
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At one point, these two had a strong friendship, sharing good times and mutual respect. So, how did they go from being friends to enemies?
In the beginning , they initially developed a friendship in the early 2010’s when Migos began to rise to prominence. Their mutual respect for each other’s talent helped maintain a strong professional bond, which seemed to be solidified by their public shows of camaraderie. They were often seen hanging out, and fans frequently speculated on their close bond.
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At this point, they had been friends for some time, but the situation became strained when Quavo and Karrueche Tran (Chris Brown Ex-Girlfriend) reportedly grew closer. Quavo and Karrueche’s relationship sparked rumours in 2017 that Quavo might be dating her, which was reportedly a source of friction between him and Chris.
The beef between Chris Brown and Quavo seems to have its roots though it’s not entirely clear what sparked the disagreement initially. One major point of contention came in 2017, when Chris Brown & The Migos had a falling out after they were reportedly involved in an altercation during an BET Awards after-party. While details remain unclear, the dispute was said to have been heated and the beef would die down for a couple years.
However, in 2024, Chris Brown and Quavo engaged in a notable diss track exchange, escalating their longstanding feud with the release of Quavo’s ‘Tender’ on April 11th, 2024.
Quavo’s ‘Tender’ served as a direct response to Chris Brown’s earlier diss track, ‘Freak,’ from the deluxe edition of his album 11:11. In ‘Tender,’ Quavo criticized Brown’s past domestic violence incident with Karrueche and hinted at Brown’s alleged drug use. Quavo rapped: “You did the b**** wrong and now the b**** gone, she posted with a thug (Yeah, with a thug) / Call the bitch phone, she won’t come home, don’t beat her up (Don’t beat her up) / It must be the drugs (It must be the drugs), need to cross out your plug, yeah-yeah.“
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In retaliation, Chris Brown’s diss track ‘Weakest Link,’ released on April 19, 2024, serves as a well-received response from fans and critics. He didn’t hold back, the track’s aggressive tone, combined with its explicit personal digs, made it clear that Chris Brown wasn’t just upset about professional matters—this was deeply emotional, leaving little room for reconciliation unless something major changed.
“R.I.P. Takeoff, he the only real one that got true respect / Crazy how when he died, everybody really wished it was you instead (oh sh*t, brrah) / “You trippin’, Chris, don’t say that, don’t lose your head” (damn) / You done turned the big bad wolf on, these f*** n***** never knew revenge (woo) / This what happens when a f*** n**** push a real n**** out to the edge (yeah) / This what happens when a dumb n**** get fame and it get to his head (yeah).”
Chris Brown
The brutality wasn’t only in the words, but in how Chris Brown cleverly positioned himself as the superior artist and figure, dismissing Quavo’s efforts as lacking. It’s clear that this isn’t just a one-off diss but could be the start of an ongoing feud, with Brown continuously sharpening his lyrical daggers.
Fans of Chris Brown, as well as hip-hop enthusiasts, have praised the track for its sharp delivery and biting commentary. The way Chris seamlessly blends his signature style with pointed jabs at Quavo has made it clear that he’s not just trying to win the battle but to assert his dominance in the narrative surrounding the feud. His lyricism on the track is complex, layered with subtle insults that fans quickly decoded, leading to the widespread victory for Chris Brown while many though Quavo lost the feud.
“You just got bodied by a singin’ n****, b****.”
Chris Brown
50 Cent V.S. Ja Rule
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Two legends in Hip-Hop in a historic clash for the ages.
50 Cent, born Curtis Jackson, is widely regarded as one of the greatest rappers and entrepreneurs in hip-hop history. His impact on the industry extends far beyond his music, shaping the culture in ways that few artists have managed. His rise to fame is a classic underdog story—emerging from the streets of South Jamaica, Queens, surviving a near-fatal shooting, and turning adversity into an empire. His relentless work ethic, street smarts, and undeniable talent have cemented his legacy as one of the greatest of all time.
Ja Rule is undeniably one of the greatest artists in hip-hop history, leaving an unforgettable mark on the genre with his unique blend of rap and R&B. Rising to prominence in the late 1990s and dominating the early 2000’s, Ja Rule crafted a signature style that set him apart from his peers. His raspy voice, melodic hooks, and ability to seamlessly blend hardcore rap with radio-friendly anthems made him a crossover superstar. He was instrumental in defining an era where hip-hop and R&B collaborations ruled the charts, paving the way for future artists to experiment with similar sounds.
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The 50 Cent and Ja Rule beef is one of the most well-known and long-running feuds in hip-hop history. It started in the early 2000s and became a full-blown rivalry that played out both in music and in the public eye. The origins of the beef are complex, rooted in personal and professional tensions, but it can largely be traced to disputes over credibility, territorial dominance in New York rap, and, most notably, the fierce competition for mainstream success in the music industry.
In the late ’90s and early 2000’s, Ja Rule was one of the biggest stars in the rap game, known for his melodic hooks and collaborations with artists like Ashanti. He was signed to Irv Gotti’s Murder Inc. label, and at the time, he was seen as one of the top figures in East Coast rap. On the other hand, 50 Cent, who had been around for a while but hadn’t yet reached mainstream success, was slowly making his way up the ranks. He had a reputation for being a street artist with raw lyrics, and after surviving a near-fatal shooting in 2000, he became known for his gritty, no-holds-barred style.
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The conflict between 50 Cent and Ja Rule began when 50 Cent accused Ja Rule and Murder Inc. of copying his style. 50 Cent had a reputation for being very outspoken, and he was known for calling out other artists who he felt were trying to steal his persona or were inauthentic. One of the catalysts for their feud occurred in 1999 when 50 Cent released a track called ‘Life’s on the Line,’ which Ja Rule allegedly took offence to. At the time, Ja Rule was still establishing himself, and he didn’t appreciate being called out by a lesser-known artist. However, the dispute only truly escalated in the early 2000’s.
In 1999, 50 Cent released his track ‘How to Rob,’ a song in which he playfully mocked and dissed various famous rappers, including Ja Rule. The song was a satire of the music industry, where 50 Cent imagined himself robbing major figures in the rap world. While the song wasn’t necessarily intended to spark a feud with Ja Rule specifically, Ja took it personally, seeing it as a direct attack. Ja, in turn, responded in interviews and on his music, and the tension started to build.
In 2003, 50 Cent’s feud with Ja Rule began to boil over. 50 Cent released the track ‘Wanksta,’ which targeted Ja Rule’s authenticity. ‘Wanksta’ called Ja Rule out for allegedly being a fake gangster, claiming that Ja’s tough-guy persona was just an image. The song was a massive success and became an anthem of sorts in the streets. Ja Rule, feeling disrespected, responded with several tracks, including ‘Loose Change,’ where he took jabs at 50 Cent’s personal life, including his past shooting incident.
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50 Cent, never one to back down, hit back with the song ‘Back Down’ from his debut album ‘Get Rich or Die Tryin’ (2003). The song was even more vicious, attacking Ja Rule’s character and his street credibility, calling him out for being soft and fraudulent. “Back Down” was a direct and public assassination of Ja Rule’s persona, and it further fueled the fire of their rivalry.
At this point, the beef between 50 Cent and Ja Rule wasn’t just a lyrical rivalry; it was a battle between their respective camps. 50 Cent had formed his group, G-Unit, which included Lloyd Banks, Tony Yayo, and Young Buck, and together they came for Ja Rule and his crew, Murder Inc. The G-Unit camp, backed by Dr. Dre and Eminem, was quickly gaining mainstream success, while Murder Inc. was embroiled in legal and public troubles, including issues surrounding Irv Gotti and the label’s connections to the drug trade.
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One of the most significant moments in this feud occurred when 50 Cent and Ja Rule had a public confrontation at a radio station in 2003. The altercation turned physical, with 50 Cent reportedly getting the better of Ja Rule in the confrontation. This moment was a turning point in their rivalry, as it symbolised the extent to which the beef had escalated beyond music and into personal animosity.
50 Cent’s ‘Get Rich or Die Tryin’ album, released in 2003, was a massive commercial success, further elevating his profile in the rap game. The album, which featured hits like ‘In Da Club’ and ’21 Questions,’ not only marked the height of 50 Cent’s career but also acted as a continued attack on Ja Rule. In particular, 50’s aggressive marketing strategy and his anti-Ja Rule stance made the feud a key part of his image. With his newfound fame, 50 Cent took every opportunity to remind the public of Ja Rule’s perceived weaknesses, often through interviews, tracks, and even public appearances.
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On the other hand, Ja Rule’s career began to decline during this period. Despite his previous success, Ja Rule’s reputation began to take a hit due to his association with Murder Inc.’s legal troubles and his inability to respond effectively to 50 Cent’s attacks. His style, which had mixed rap with R&B hooks, was also beginning to lose favour as the rap landscape shifted toward more aggressive and street-driven sounds.
In the mid-2000s, the feud started to simmer down, as 50 Cent’s career continued to rise, while Ja Rule’s star faded. 50 Cent, always with a knack for showmanship, continued to taunt Ja Rule with insults, including an infamous moment where he purchased thousands of copies of Ja Rule’s albums to send them to the discount bins. Ja Rule, on the other hand, attempted to make a comeback, but his efforts were largely unsuccessful.
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By the end of the 2000s, the beef had died down significantly. Ja Rule and 50 Cent both moved on to other projects, and while their rivalry was a defining moment in hip-hop, it became less of a focal point as time passed. Both artists, now older, have made public comments indicating that they no longer hold the same animosity that defined their earlier years, though 50 Cent has continued to mock Ja Rule from time to time in public.
Eminem V.S. Machine Gun Kelly (MGK)
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Eminem is widely regarded as one of the greatest rappers of all time, and for good reason. Eminem’s influence on hip-hop spans decades, with a career marked by lyrical mastery, storytelling ability, and an undeniable impact on the culture. From his early days as an underground battle rapper in Detroit to becoming a global icon, Eminem has consistently pushed the boundaries of the genre, earning respect from fans and critics alike.
One of the biggest reasons Eminem is considered a GOAT (Greatest of All Time) is his lyrical ability. His intricate rhyme schemes, multisyllabic rhymes, and complex wordplay set him apart from most artists in the industry. He has the rare ability to rap at blistering speeds while maintaining clarity and meaning in his verses. Tracks like ‘Rap God’ and ‘Godzilla’ showcase his technical prowess, proving time and time again that he is one of the most skilled wordsmiths in hip-hop history.
The roots of the Eminem-MGK feud can be traced back to 2012 when MGK made a comment about Eminem’s daughter, Hailie Mathers, on Twitter. MGK, who was a rising rapper at the time, tweeted about Hailie, saying she was “hot” in reference to her looks. Eminem, a notoriously protective father, did not take kindly to this comment. Though there wasn’t an immediate response from Eminem, it was clear that the tweet had left a bad taste in his mouth.
At this time, MGK was still relatively unknown in the mainstream rap scene, while Eminem had solidified himself as one of the biggest figures in hip-hop history. MGK’s tweet, though not directly offensive, seemed to cross a line in Eminem’s eyes, especially considering his own daughter’s young age at the time.
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Over the next few years, Machine Gun Kelly started to establish himself in the music industry, releasing albums and collaborating with other artists. However, despite his success, it seemed that Eminem’s shadow loomed over MGK’s career. Eminem was known for his dominance in the rap world, and MGK, though talented, was still trying to carve out his space.
In interviews, MGK spoke about how he felt the industry was unfairly stacked against him, especially as Eminem was widely regarded as one of the greatest of all time. MGK made several references to Eminem in his interviews, but there was no direct confrontation. Still, fans could sense that MGK was frustrated with the way he was being overlooked by Eminem’s influence and by the mainstream rap scene in general.
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Things came to a head in 2018 when MGK released the track ‘Rap Devil.’ The song is a clear diss track aimed at Eminem, where MGK takes aim at the rap legend for allegedly trying to suppress his career. The title itself was a play on Eminem’s ‘Rap God’ moniker, and in it, MGK called out Eminem for his age, his relevance in the rap game, and his personal issues. In the song, MGK also references their previous beef, making it clear that the long-simmering tensions had boiled over.
MGK’s ‘Rap Devil’ was a direct challenge to Eminem, and it was a bold move for a relatively newer artist. The song quickly gained traction, garnering millions of views and sparking conversations about the rivalry. Many fans were surprised by the audacity of MGK to go after a legend like Eminem.
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Eminem responded in 2018 with his own diss track, ‘Killshot.’ In the song, Eminem aimed his lyrical barrage squarely at MGK, mocking him for his unsuccessful attempt to start a feud and questioning his relevance. Eminem also took aim at MGK’s career, his appearance, and his ability to generate attention. ‘Killshot’ was a scathing response, with Eminem delivering one of his most intense lyrical attacks in recent memory.
The release of ‘Killshot’ essentially ended the feud, with Eminem’s response being widely seen as a victory in the rap beef between him and MGK. Although, MGK’s ‘Rap Devil’ had garnered praise and attention, ‘Killshot’ was considered a more technical, lyrical triumph. Following the release of ‘Killshot,’ MGK didn’t respond with another diss track, and the feud appeared to fizzle out.
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However, the tension between the two didn’t disappear entirely. MGK continued to release music, eventually transitioning more into rock and pop-punk territory with his 2020 album ‘Tickets to My Downfall.’ Some fans speculated that MGK’s decision to shift genres was partly because of his struggles to make it in the rap game, while others viewed it as an attempt to separate himself from the rap feud.
Central Cee V.S. Aitch
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Central Cee has cemented himself as one of the most influential and successful artists to emerge from the UK rap scene. This West London rapper has skyrocketed to stardom in a way few artists ever do. From his early underground releases to becoming a global sensation, Central Cee’s rise to fame is a testament to his talent, work ethic, and ability to connect with audiences worldwide. His impact places him among the UK’s greatest, alongside legendary figures like Stormzy, Dave, Giggs, Skepta, Chip, Potter Payper, Little Simz, Headie One, Kano, Fredo, Ghetts, AJ Tracey and many more.
His breakthrough came in 2020 with the release of ‘Day in the Life’ and ‘Loading,’ hit tracks that showcased his distinctive flow, storytelling ability, and production choices that blended UK drill with melodic elements. These hits marked the beginning of his mainstream success, setting him apart from other rising talents. His 2021 mixtape ‘Wild West’ solidified his position as one of the most promising UK rappers, debuting at No. 2 on the UK Albums Chart and proving that he was more than just a viral sensation.
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What makes Central Cee stand out is his ability to craft music that resonates across cultures. His 2022 project ’23’ continued his winning streak, featuring tracks like ‘Obsessed With You,’ which sampled PinkPantheress and demonstrated his versatility in blending drill with more commercial sounds. He further pushed boundaries with ‘Doja,’ a song that went viral worldwide for its clever wordplay and crossover appeal.
Critically, ‘Can’t Rush Greatness’ (2025) has been praised for its energetic beats and lively verses. Standout tracks such as ‘GBP’ with 21 Savage and ‘Ten,’ featuring Skepta, exemplify Central Cee’s sharp, crisp rapping that keeps each song fresh. These tracks not only highlight his lyrical prowess but also his capacity to hold his own alongside high-profile guest artists. Notably, the album achieved remarkable commercial success, debuting at number one on the UK Albums Chart and breaking into the top ten of the US Billboard 200—a first for a UK rap album.
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We were initially planning to give this spot to the longstanding and widely recognized feud in the UK rap scene between Central Cee V.S Digga D, as it’s been a hot topic for some time. However, after considering the most recent developments and viral moments, we’ve decided to focus on the latest and most talked-about beef: Central Cee V.S. Aitch. This new rivalry has quickly caught the attention of fans and the media alike, sparking heated discussions and creating waves across social platforms. The tension between these two artists has become one of the most buzzed-about conflicts in the UK rap scene, making it impossible to ignore.
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Aitch is undoubtedly one of the most significant and talented figures in the UK music scene, carving his path with an undeniable mix of talent, charisma, and distinctive style. Hailing from Manchester, Aitch’s rise to prominence in the UK rap and grime scenes showcases the power of local talent making waves on a global scale. Emerging in the late 2010s, his blend of catchy hooks, sharp lyricism, and effortless flow made him a standout in the competitive world of UK rap. But beyond just being a skilled rapper, Aitch is an artist who resonates with audiences because of his relatability and charm.
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But what truly sets Aitch apart from his contemporaries is his ability to continually evolve and take risks in his music. He is unafraid to experiment with genres, collaborating with artists from various musical backgrounds. This openness is evident in his collaborations with international stars such as Ashanti and Ed Sheeran, proving that he isn’t just a UK phenomenon but a global one. Aitch has become a bridge between different musical worlds, effortlessly blending his roots in grime with contemporary pop and hip-hop, expanding his reach while staying true to his own sound.
Central Cee and Aitch were known to be friends, sharing mutual respect for each other’s music especially early on in their careers, so what happened?
In early 2025, a notable feud emerged between UK rappers Central Cee and Aitch. The tension began with the release of Central Cee’s debut album, ‘Can’t Rush Greatness,’ which features the track ‘5 Star.’On the track, Central Cee mentioned Aitch, rapping:
“I felt like a pr*ck when I went to the BRITs they gave the award to a guy called Aitch.”
Central Cee
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This line alluded to the 2023 BRIT Awards, where Aitch won the Best Hip Hop/Grime/Rap Act, a category in which Central Cee was also nominated.
Aitch responded swiftly with the release of ‘A Guy Called?’, a diss track that addressed several issues. He challenged Central Cee’s authenticity, accusing him of relying on ghostwriters, and referenced past controversies, including alleged old tweets and his relationship with ex-girlfriend Madeline Argy. Aitch’s track was both a personal and professional rebuttal, highlighting perceived discrepancies in Central Cee’s public persona.
Aitch even publicly accused Central Cee of stealing the style and flow of popular and well-respected UK artist, Kairo Keyz, in an attempt to climb to the top of the charts. The allegations have been circulating for some time, with many fans and industry insiders claiming that Central Cee’s rise to prominence coincided with a noticeable shift in his musical style, which bears striking similarities to that of Kairo Keyz.
“That ain’t your flow, that’s Kairo Keyz.”
Aitch
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Kairo Keyz, a highly respected and popular rapper in the UK scene, was known for his distinct flow, which blended sharp, punchy delivery with a smooth yet gritty rhythm. His rise was relatively organic, with consistent collaborations and an ever-growing fanbase that admired his authenticity. For years, Kairo and Central Cee were seen as close friends and frequent collaborators, often sharing studio sessions and supporting each other in their respective careers. However, as time went on, the relationship between the two started to change as Central Cee began to gain mainstream attention, many began to notice that his style seemed eerily familiar to Kairo’s.
With many expressing support for Aitch’s direct approach. Social media platforms buzzed with opinions, and analyses, amplifying the reach of the feud beyond traditional music circles. The feud has sparked significant discussion among fans and media outlets, with many analysing the lyrics and speculating on the future of this rivalry.
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No one can predict what will unfold between the two biggest rappers in the UK or how their feud will escalate. Whether it leads to more diss tracks, public confrontations, or even a surprise reconciliation, the UK rap scene is watching closely. Only time will tell how far this feud will go.
Drake V.S. Kendrick Lamar
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It’s shocking to learn that these two well-known rap icons were actually once good friends who worked together and always showed nothing but support for each other in 2011 and 2012.
Drake even brought Kendrick Lamar out on tour as a special guest ‘Club Paradise Tour’ in 2012, and it was a big moment for both artists as Kendrick was gaining major momentum with his 2012 album ‘good kid, m.A.A.d city’. Their partnership during that time helped cement their friendship and influence in the rap and hip-hop scene but one verse permanently altered their friendship forever.
However, The feud began in 2013, stems from a combination of lyrical tension, competition for dominance in hip-hop, and public statements. One of the first signs of animosity between the two artists came in 2013, when Kendrick Lamar appeared as a feature for his verse on ‘Control’, a track by Big Sean. In this verse, Kendrick famously called out several of his peers in the rap game, including Drake, by name, challenging other rappers to step up their game. While Kendrick’s verse was seen by many as a playful competitive jab, Drake took it personally, interpreting it as a challenge to his status.
“I’m usually homeboys with the same n***** I’m rhymin’ wit / But this is hip hop and them n***** should know what time it is / And / That goes for Jermaine Cole, Big KRIT, Wale, Pusha T, Meek Millz, A$AP Rocky, Drake, Big Sean, Jay Electron’, Tyler, Mac Miller / I got love for you all but I’m tryna murder you n***** / Tryna make sure your core fans never heard of you n***** / They dont wanna hear not one more noun or verb from you n*****.”
Kendrick Lamar
Drake’s response came in a series of interviews and songs, where he subtly dissed Kendrick. One of the most notable instances was when Drake released ‘The Language’ in 2013, with lines that seemed to criticise Kendrick’s rap style and his claim to the throne. Kendrick, in turn, continued to keep his distance from any direct conflict and showed love to Drake but made it clear in interviews that he saw Drake as an artist who didn’t measure up to his competitive spirit.
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The feud seemed to cool off in 2015, but in 2016, tensions flared again with Drake’s release of ‘Summer Sixteen’, in which he took a direct shot at Kendrick, calling out his “alleged” rap style. This set the stage for another round of back-and-forth exchanges between the two artists. However, despite the back-and-forth jabs, neither Kendrick nor Drake ever fully engaged in an all-out rap war, and their rivalry mostly played out in interviews, songs, and subtle references.
Despite this tension, there were moments where the two seemed to squabble over the crown of hip-hop dominance, especially with their different approaches to success. Drake, with his blend of rap and R&B, built a global fan base, while Kendrick stuck with more traditional hip-hop, frequently challenging social issues with his lyricism. Over time, it became clear that their beef was largely about maintaining their respective positions in hip-hop and asserting dominance in a genre that thrives on competition.
In the years that followed, both artists have managed to avoid direct conflict, with Kendrick’s focus on his art and Drake continuing to dominate the charts until 2023.
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On the track ‘First Person Shooter’ from ‘For All the Dogs’ (2023), J. Cole reflects on his ongoing success in the rap game, taking a moment to acknowledge his place at the top. He asserts that he, Drake, and Kendrick Lamar make up the “big three” in modern rap, a trio that dominates the genre with their influence and skill. However, J.Cole goes further in his comparison, expressing that, while these other two artists are undeniably legends in their own right, he personally sees himself as a figure akin to Muhammad Ali—a champion, constantly evolving, and proving himself to be the greatest. His comparison to Ali reflects not only confidence in his own craft but also the sense of mastery and longevity he has achieved in the industry.
After J. Cole made headlines with his bold claim about being part of the “big three” of rap, Kendrick Lamar wasted no time responding. In late March 2024, Kendrick appeared on the highly anticipated album ‘We Don’t Trust You’ (2024), on the track ‘Like That’ a collaboration between Future and Metro Boomin. On his verse, Kendrick made it clear that he wasn’t fazed by the rivalry, delivering a strong response to both Cole and Drake. With his signature intensity, he rapped:
“Ah, yeah, huh, yeah, get up with me / F*** sneak dissin’, first person shooter / I hope they came with three switches / I crash out, like, “F*** rap,” diss Melle Mel if I had to / Got two T’s with me, I’m snatchin’ chains and burnin’ tattoos / It’s up, lost too many soldiers not to play it safe. / If he walk around with that stick, it ain’t Andre 3K. / Think I won’t drop the location? I still got PTSD. / Motherf*** the big three, n****. It’s just big me / N****, bum / What? I’m really like that / And your best work is a light pack / N****, Prince outlived Mike Jack’ / N****, bum / ‘Fore all your dogs gettin’ buried / That’s a K with all these nines, he gon’ see Pet Sematary.”
Kendrick Lamar
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Asserting that he’s standing tall on his own and doesn’t need to play into the notion of a trio. The line sparked immediate buzz, as fans eagerly dissected the competitive tension brewing between the three rap giants.
A little while after the diss, J. Cole faced widespread mockery after unexpectedly withdrawing from his rap battle with Kendrick Lamar, a showdown that many fans had anticipated as one of the most significant lyrical clashes in hip-hop history. The situation escalated when Cole, who initially responded to Kendrick’s subliminal shots with ‘7 Minute Drill’, later issued a public apology at ‘Dreamville Fest’, calling his own diss track “corny.” This move was seen by many as a premature retreat, leading to ridicule from both fans and fellow artists who expected him to stand his ground in a competitive rap environment.
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Especially since hip-hop has long been built on the foundation of lyrical battles, where backing down is often perceived as a sign of weakness. For an artist like J. Cole who has consistently presented himself as a top-tier lyricist—the decision to drop out was seen by many as cowardly. Fans pointed out that his admiration for Kendrick seemed to overshadow the competitive nature of the moment, making his withdrawal feel more like an emotional surrender than a strategic move. Memes and online discourse painted Cole as too soft for battle rap, contrasting him with past greats who thrived in similar conflicts.
Additionally, the optics of Cole’s exit made matters worse. His apology came off as an attempt to de-escalate rather than engage, reinforcing the idea that he wasn’t built for the aggression required in rap beef. This led to speculation that his initial diss track was released without full confidence, and once he realised the gravity of the situation, he backpedaled. While some fans appreciated his humility, others saw it as a letdown, further fuelling jokes and criticism across social media.
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Drake, on the other hand, would not dodge the diss and denounce J.Cole for stepping down, as Drake declared that he will not overlook it.
So it was no surprise that Hip-hop fans and the internet erupted in excitement and debate as two rap icons, Drake and Kendrick Lamar, went head-to-head in a heated lyrical-rap battle. The exchange of diss tracks had social media buzzing, with fans dissecting every bar and analysing the deeper meaning behind their words. What made this rivalry even more captivating was its connection to hip-hop history, as many drew parallels between their feud and the legendary tension between 2Pac and The Notorious B.I.G. The echoes of that iconic rivalry added an extra layer of intensity, making this showdown one of the most talked-about moments in modern rap history.
The feud intensified in May 2024 when Kendrick released ‘Not Like Us’, a scathing diss track accusing Drake of inappropriate behaviour, including pedophilia. The song, known for its direct criticism of him being a “colonizer” in the rap game and the cover art featured a satellite image of Drake’s Toronto mansion labeled with pins suggesting criminal activity. Drake responded with ‘The Heart Part 6′, denying the allegations and accusing Kendrick of fabricating stories based on personal trauma with the entirety of internet stating that Drake lost to Kendrick Lamar.
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In November 2024, Drake’s reputation would really take nosedive with hip-hop critics and fans as he took legal action against Universal Music Group (UMG) and Spotify, alleging they artificially inflated the streams of ‘Not Like Us’ and engaged in defamatory practices. UMG denied these claims, labelling them as “offensive and untrue.” Drake further sued UMG for defamation in January 2025, asserting that the label prioritised corporate interests over the well-being of its artists. Critics argue that resorting to legal action contradicts the traditional norms of hip-hop, where artists typically address disputes through music rather than the courts.
Many critisied Drake’s decision, with even Joe Budden weighing in, suggesting it undermines the essence of hip-hop culture. He emphasised that diss tracks, even when harsh, are a fundamental aspect of rap battles, and taking legal action sets a concerning precedent. Additionally, the internet viewed the lawsuit as an attempt to suppress artistic expression. UMG defended its actions by stating that distributing Kendrick Lamar’s music is part of supporting an artist’s creative freedom. They argued that Drake’s lawsuit seeks to “weaponize” the legal process to silence an artist’s creative expression.
“Once upon a time, all of us was in chains / Homie still doubled down callin’ us some slaves / Atlanta was the Mecca, buildin’ railroads and trains / Bear with me for a second, let me put y’all on game / The settlers was usin’ townfolk to make ’em richer / Fast-forward, 2024, you got the same agenda / You run to Atlanta when you need a check balance / Let me break it down for you, this the real n**** challenge / You called Future when you didn’t see the club (Ayy, what?) / Lil Baby helped you get your lingo up (What?) / 21 gave you false street cred / Thug made you feel like you a slime in your head (Ayy, what?) / Quavo said you can be from Northside (What?) / 2 Chainz say you good, but he lied / You run to Atlanta when you need a few dollars / No, you not a colleague, you a f**kin’ colonizer.”
Kendrick Lamar
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Kendrick’s response certainly came in the form of actions not words as he won five Grammy Awards, including Record of the Year and Song of the Year for Not Like Us. Then to add salt to the wound, Kendrick Lamar headlined the ‘Super Bowl LIX Halftime Show’ on February 9, 2025, at the Caesars Superdome in New Orleans. His performance attracted 133.5 million viewers, surpassing Michael Jackson’s 1993 record to become the most-watched halftime show in history, Surprisingly, Kendrick performed the ‘Not Like Us’ during Super Bowl LIX Halftime Show a crushing blow to Drake fans.
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If that wasn’t enough, there’s a popular theory circulating among hip-hop fans that Kendrick Lamar’s song ‘Peekaboo’ from ‘GNX’ (2024) contains subliminal messages directed at both XXXTENTACION and Drake. While ‘Peekaboo’ itself has not been officially confirmed as a diss track, fans believe it subtly references tensions between these artists, particularly surrounding Drake’s alleged involvement in XXXTENTACION’s murder and Kendrick’s history of taking lyrical shots at his peers.
“Peek-a-boo, can’t hide behind your money, dawg.”
Kendrick Lamar
One part of the theory suggests that Kendrick alludes to XXXTENTACION death by using specific wordplay that mirrors details of his passing. Some fans point to lines that reference “peekaboo” as a metaphor for an ambush, possibly alluding to how XXXTENTACION was fatally shot while sitting in his car.
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Given Kendrick’s reputation for intricate lyricism and layered meanings, supporters of the theory argue that he may be making a veiled reference to the incident.
Notably, during Kendrick Lamar’s halftime show, fans noticed the stage design resembled a PlayStation game controller, with Kendrick performing within the “X” symbol. This choice has been interpreted as a reference to XXXTENTACION, whose moniker includes “X.”
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“Peekaboo, I just put them boogers in my chain / Peekaboo, eighty-pointers like a Kobe game / Peekaboo, 7.62s’ll make ’em plank / Peekaboo, poppin’ out, you better not smut my name / Peekaboo, put two foreigns on the 405 / Peekaboo, cacio e pepe if I’m doin’ pasta / Peekaboo, why you actin’ tough on IG Live? / Peekaboo, you know my lil’ niggas off they rocker.”
Kendrick Lamar
Additionally, the dancers donned white attire with two-toned hair, reminiscent of XXXTENTACION’s signature look, further fuelling speculation about the tribute’s intent. Moreover, the performance took place on the 30-yard line, with “30” translating to “XXX” in Roman numerals, possibly symbolising XXXTENTACION.
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