Sipepisiwe Moyo, [email protected]
Today, we explore the artistic journey of Leeroy “Spinx” Brittain, the visionary muralist, who is on a quest to elevate graffiti into a symbol of cultural identity.
At 37 years old, Spinx, a devoted family man, earns his livelihood through the creation of vibrant murals. Shunning formal art education, he believed his innate talent would flourish more freely outside traditional constraints.
“I am a self-taught artist. I’ve been sketching since childhood,” explained the recipient of Zimbabwe’s inaugural Graffiti award.
Despite initial challenges, including leaving a sales management job, Spinx’s dedication and perseverance have propelled him forward.
“Ten years ago, I made the decision to pursue art full-time. At that time, I left my job as a sales manager due to frequent clashes with my boss, who was often annoyed by my constant drawing. Despite the limited opportunities in the mural industry at the time, I took a leap of faith, hoping for the best. I firmly believe that without sacrifice, nothing significant can happen,” he enlightened.
Motivated by a profound connection to nature and spirituality, Spinx sees his art as a conduit for positive messages and cultural expression. His artistic evolution has been marked by research, practice and a deepening connection to his African identity. Collaborating with traditional muralists in Matopo, particularly women, has been instrumental in this journey.
“I aim to represent myself authentically, drawing from African culture. I feel that by representing myself in an African way, I can truly showcase my identity and stand out. Moreover, if I were invited to Europe, I believe I could offer something unique by sharing aspects of my culture.
“Simply imitating what others are doing, there wouldn’t allow me to excel. However, by staying true to my roots, I know I can make a significant impact.
His portfolio includes murals of notable figures like Sandra Ndebele-Sibindi and the late Cal Vin. Moreover, Spinx has partnered with organisations like Unicef and Skies Takeaway, leaving his mark on diverse projects, including the Maboneng bar balcony.
Recently, Spinx organised an exhibition titled ‘Me Against the Wall’ to challenge perceptions of graffiti, murals and street art away from vandalism.
“Mural art originated from a state of vandalism, where walls were used for political statements or negative messages. However, I choose to focus on beautifying spaces and spreading positive messages,” he explained.
Drawing inspiration from African storytelling traditions, particularly the San people who communicated through wall art, and artists like Esther Mahlangu, Spinx sees wall art as a spiritual expression. He referenced biblical stories such as Daniel 5:5, where God communicated through writing on a wall, suggesting that even graffiti has divine origins. “My exhibition was about reclaiming the narrative, showcasing how art can beautify our surroundings and convey powerful messages.”
The artist has also dedicated himself to nurturing new talent, including young boys striving to overcome addiction. His goal is to empower the next generation by imparting his knowledge and skills, enabling them to reach new heights.
“I envision Zimbabwe becoming a premier destination for stunning, photogenic street art, akin to Germany,” he disclosed.
He expressed his desire to adorn the Bulawayo power station cooling towers, which he sees as his ultimate legacy and retirement plan.
“Once accomplished, I will be fulfilled, knowing that I’ve made a lasting impact for future generations,” he concluded.
Looking ahead, Spinx envisions Zimbabwe as a global destination for street art, akin to Germany. He seeks to bridge the gap between street artists and city councils, advocating for creative collaboration rather than confrontation.
“Murals can revitalise our cultural landscape,” he emphasises, “but we need recognition and support from the authorities.” With plans to engage the Bulawayo City Mayor – David Coltart, Spinx hopes to foster a conducive environment for street artists to flourish, transforming walls into canvases of cultural expression and economic opportunity.
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