Olympic Breakdancer Raygun Has PhD in Breakdancing?

On Aug. 10, 2024, a rumor spread on social media that Rachael Gunn (also known as “Raygun”), an Australian breakdancer who competed in the 2024 Paris Olympics, had a Ph.D. in breakdancing. “This australian breakdancer has a PhD in breakdancing and dance culture and was a ballroom dancer before taking up breaking. I don’t even know what to say,” one X post on the topic read.

“Australian Olympic breakdancer Rachael Gunn has a PhD in breakdancing and dance culture,” one X user wrote, while another asked, “Who did we send? Raygun, a 36-year-old full-time lecturer at Sydney’s Macquarie University, completed a PhD in breaking culture and is a lecturer in media, creative arts, literature and language,” another X user wrote.

The claim also spread on other social media platforms, such as Reddit and Instagram. 

“Is she the best break dancer? No. But I have so much respect for going on an international stage to do something you love even if you’re not very skilled at it,” one Instagram user commented, adding that, “And, I’m pretty sure she’s using this as a research endeavor and will be writing about all our reactions to her performance. Can’t wait to read it!”

In short, Gunn’s Ph.D. thesis, titled “Deterritorializing Gender in Sydney’s Breakdancing Scene: A B-girl’s Experience of B-boying,” indeed focused on the topic of breakdancing. However, Gunn earned her Ph.D. in cultural studies, not in breakdancing. Furthermore, it’s important to note that a “PhD in breakdancing” does not exist as an academic discipline. 

Since Gunn’s research focused on the breakdancing community, but her degree is actually in the broader field of cultural studies, we have rated this claim as a “Mixture” of truths.

Gunn “secured Australia’s first ever Olympic spot in the B-Girl competition at Paris 2024 by winning the QMS Oceania Championships in Sydney, NSW, Australia,” the Olympics official website informed. 

Gunn earned a zero in breakdancing at the Paris 2024 Olympic Games and clips of her routine went viral on social media, with numerous users creating memes or mocking dancer’s moves. “As well as criticising her attire, social media users mocked the Australian’s routine as she bounced around on stage like a kangaroo and stood on her head at times,” BBC article on the topic read. 

The website of the Macquarie University informed Gunn “is an interdisciplinary and practice-based researcher interested in the cultural politics of breaking” and holds a Ph.D. in cultural studies, as well as a bachelor of arts degree (Hons) in contemporary music: 

Rachael Gunn is an interdisciplinary and practice-based researcher interested in the cultural politics of breaking. She holds a PhD in Cultural Studies (2017) and a BA (Hons) in Contemporary Music (2009) from Macquarie University. Her work draws on cultural theory, dance studies, popular music studies, media, and ethnography.

Rachael is a practising breaker and goes by the name of ‘Raygun’. She was the Australian Breaking Association top ranked bgirl in 2020 and 2021, and represented Australia at the World Breaking Championships in Paris in 2021, in Seoul in 2022, and in Leuven (Belgium) in 2023. She won the Oceania Breaking Championships in 2023.

Gunn’s biography further revealed that she is a member of the Macquarie University Performance and Expertise Reasearch Centre, and has a range of teaching experience at undergraduate and postgraduate levels “across the areas of media, creative industries, music, dance, cultural studies, and work-integrated learning.” 

Moreover, it informed her research interests included, “Breaking, street dance, and hip-hop culture; youth cultures/scenes; constructions of the dancing body; politics of gender and gender performance; ethnography; the methodological dynamics between theory and practice.”

Gunn earned her Ph.D. from the Department of Media, Music, Communications, and Cultural Studies within the Faculty of Arts at Macquarie University. Below, you can find the abstract of her paper, shared by the official website of Macquarie University:

This thesis critically interrogates how masculinist practices of breakdancing offers a site for the transgression of gendered norms. Drawing on my own experiences as a female within the male-dominated breakdancing scene in Sydney, first as a spectator, then as an active crew member, this thesis questions why so few female participants engage in this creative space, and how breakdancing might be the space to displace and deterritorialise gender. I use analytic autoetthnography and interviews with scene members in collaboration with theoretical frameworks offered by Deleuze and Guttari, Butler, Bourdieu and other feminist and post-structuralist philosophers, to critically examine how the capacities of bodies are constituted and shaped in Sydney’s breakdancing scene, and to also locate the potentiality for moments of transgression. In other words, I conceptualize the breaking body as not a ‘body’ constituted through regulations and assumptions, but as an assemblage open to new rhizomatic connections. Breaking is a space that embraces difference, whereby the rituals of the dance not only augment its capacity to deterritorialize the body, but also facilitate new possibilities for performativities beyond the confines of dominant modes of thought and normative gender construction. Consequently, this thesis attempts to contribute to what I perceive as a significant gap in scholarship on hip-hop, breakdancing, and autoethnographic explorations of Deleuze-Guattarian theory.

In a response to online criticism of her Olympics performance, Gunn wrote on her Instagram profile: “Don’t be afraid to be different, go out there and represent yourself, you never know where that’s gonna take you”:

We have recently investigated other 2024 Paris Olympics’-related rumors, such as:

Sources